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Saturday, March 7, 2009

Who is Andre Romelle Young?

Who is Andre Romelle Young?
The music and rap world knows him by his stage name Dr. Dre. Dre, he is an American record producer, rapper, record executive, and actor. He is the founder and current CEO of Aftermath Entertainment and a former co-owner and artist of Death Row Records, also having produced albums for and overseeing the careers of many rappers signed to those record labels such as Snoop Dogg and Eminem. As a producer he is credited as a key figure in the popularization of West Coast G-funk, a style of rap music characterized as synthesizer-based with slow, heavy beats.[2]
Dr. Dre began his career in music as a member of the World Class Wreckin' Cru and he later found fame with the influential gangsta rap group N.W.A with Eazy-E, which popularized the use of explicit lyrics in rap to detail the violence of street life.[2]His 1992 solo debut The Chronic, released under Death Row Records, led him to become one of the best-selling American performing artists of 1993[3] and to win a Grammy Award for the single "Let Me Ride."[4] In 1996, he left Death Row to found his own label Aftermath Entertainment, producing a compilation album, Dr. Dre Presents the Aftermath, in 1996, and releasing a solo album titled 2001, in 1999, for which he won the Grammy producer's award the next year.[2]
During the 2000s, he focused his career on production for other artists, while occasionally contributing vocals in other artists' songs. Rolling Stone named him among the highest-paid performers of 2001[5] and 2004.[6] Dr. Dre also had acting roles in movies such as Set It Off, and the 2001 films The Wash and Training Day.[7]

The first child of Verna and Theodore Young, Dr. Dre was born André Romelle Young on February 18, 1965, when his mother was 16. She married his father, Theodore Young, after he was born. Young's middle name, "Romelle," came from Theodore Young's unsigned, amateur R&B singing group The Romells. In 1968 his mother divorced Theodore Young and later married Curtis Crayon. They had 3 more children together, two sons named Jerome and Tyree (both deceased)[8][9] and daughter Shameka.[10]
In 1976 Young began attending Vanguard Junior High School but due to gang violence around Vanguard he transferred to the safer suburban Roosevelt Junior High School.[11] Verna later married Warren Griffin, whom she met at her new job in Long Beach,[12] which added three new stepsisters and one new stepbrother to the family. That stepbrother, Warren Griffin III, would eventually become a rapper under the stage name Warren G.[13]
Young attended Centennial High School in Compton during his freshman year, in 1979, but transferred to Fremont High School due to poor grades. Young attempted to enroll at Northrop Aviation Company in an apprenticeship program, but poor grades at school made him ineligible. Thereafter, he focused on his social life and entertainment for the remainder of his high school years.[14] Young fathered a son with Lisa Johnson, Curtis, born on December 15, 1981. Curtis Young was brought up by his mother and didn't meet his father until he had become a rapper about 20 years later, with his stage name being Hood Surgeon.[15]


Inspired by the Grandmaster Flash
song "The Adventures of Grandmaster Flash on the Wheels of Steel", he often attended a club called The Eve After Dark to watch many DJs and rappers performing live. Thus, he became a DJ in the club, initially under the name "Dr. J" based on the nickname for Julius Erving, his favorite basketball player. At the club, he met aspiring rapper Antoine Carraby, later to become member DJ Yella of N.W.A.[16] Soon afterwards he adopted the moniker Dr. Dre, a mix of previous alias Dr. J and his first name, referring to himself as the "Master of Mixology".[17] He later joined the musical group World Class Wreckin' Cru under the independent Kru-Cut Records in 1984. The group would become stars of the electro-hop scene that dominated early 1980s West Coast hip hop, and their first hit "gangsta bois" would prominently feature Dr. Dre on the turntables and sell 50,000 copies within the Compton area.[18] Dr. Dre and DJ Yella also performed mixes for local radio station KDAY, boosting ratings for its afternoon rush-hour show The Traffic Jam.[19] Dr. Dre's earliest recordings were released in 1984 in a compilation titled Concrete Roots. Stephen Thomas Erlewine of the website Allmusic called the compiled music, released "several years before Dre developed a distinctive style", to be "surprisingly generic and unengaging" and "for dedicated fans only".[20]
His frequent absences from school jeopardized his position as a diver on his school's swim team. After high school, he attended Chester Adult School in Compton following his mother's demands for him to get a job or continue his education. After brief attendance at a radio broadcasting school, he relocated to the residence of his father and residence of his grandparents before returning to his mother's house.[21] He later dropped out of Chester to focus on performing at the Eve's After Dark nightclub.[22]


N.W.A.'s debut became a bestseller, despite its controversial content. Dre is second from right.
In 1986 he met rapper Ice Cube, who collaborated with Dr. Dre to record songs for Ruthless Records, a rap record label run by local rapper and drug dealer Eazy-E. N.W.A however, along with fellow west coast rapper Ice T,
debuted with rhymes including profanity and gritty depictions of crime and life on the street. No longer constricted to racially charged political issues pioneered by rap artists such as Public Enemy or Boogie Down Productions, N.W.A shot out with hardcore and realistic perspective of street violence and local black gangster lifestyle. Propelled by the hit "Fuck tha Police", the group's first full album Straight Outta Compton became a major success, despite an almost complete absence of radio airplay or major concert tours and warnings from the FBI.[2] The FBI sent letters to Arabian Prince, Ice Cube and Eazy-E urging them to stop releasing their music as a response to the large number of complaints they had received about the group's lyrical content and use of expletives.[23]
After Ice Cube left N.W.A over financial disputes, Dr. Dre produced and performed for much of the group's second album Efil4zaggin.
He also produced tracks for a number of other rap acts on Ruthless Records, including Above the Law, and The D.O.C. for the album No One Can Do It Better.[24] In 1991 at a music industry party in Hollywood, he assaulted television host Dee Barnes of the Fox television program Pump it Up, after he felt dissatisfied by a news report of hers on the feud between the remaining N.W.A members and Ice Cube. Thus, Dr. Dre was fined $2,500 and given two years' probation and 240 hours of community service, as well as a spot on an anti-violence public service announcement on television.[25][26]


Dr. Dre's debut solo album, The Chronic, was among the top-selling albums of the 1990s and spawned three hit singles.

After a dispute with Eazy-E, Dre left the group at the peak of its popularity in 1991 under the advice of friend, and N.W.A lyricist, The D.O.C. and his bodyguard at the time, Suge Knight. Knight, a notorious strongman and intimidator, was able to have Wright release Young from his contract and, using Dr. Dre as his flagship artist, found Death Row Records. In 1992 Young released his first single, the title track to the film Deep Cover, a collaboration with rapper Snoop Dogg, whom he met through Warren G.[2] Dr. Dre's debut solo album was The Chronic,
released under Death Row Records. Young ushered in a new style of rap, both in terms of musical style and lyrical content.[27]
On the strength of singles such as "Nuthin' but a 'G' Thang", "Let Me Ride", and "Fuck wit Dre Day (and Everybody's Celebratin')" (known as "Dre Day" for radio and television play), all of which featured Snoop Dogg as guest vocalist, The Chronic became a cultural phenomenon, its G-funk sound dominating much of hip hop music for the early 1990s.[2] In 1993 the Recording Industry Association of America certified the album multi-platinum,[28] and Dr. Dre also won the Grammy Award for Best Rap Solo Performance for his performance in "Let Me Ride".[4] For that year, Billboard magazine also ranked Dr. Dre as the eighth best-selling musical artist, The Chronic as the sixth best-selling album, and "Nuthin' but a 'G' Thang" as the 11th best-selling single.[3]
Besides working on his own material, Dr. Dre produced Snoop Dogg's debut album Doggystyle, which became the first debut album for an artist to debut at number one on the Billboard 200 album charts.[29] In 1994 Dr. Dre produced the soundtracks to the films Above the Rim and Murder Was the Case. He collaborated with fellow N.W.A member Ice Cube for the song "Natural Born Killaz"
in 1995.[2] For the film Friday, Dre recorded "Keep Their Heads Ringin'", which reached #10 on the Billboard Hot 100 and #1 on the Hot Rap Singles (now Hot Rap Tracks) charts.[30]
In 1995, just as Death Row Records was signing rapper 2Pac and positioning him as their major star, Young left the label amidst a contract dispute and growing concerns that label boss Suge Knight was corrupt, financially dishonest and out of control. Thus, in 1996, he formed his own label Aftermath Entertainment directly underneath the distributor label for Death Row Records, Interscope Records.[2] Consequently, Death Row Records suffered poor sales by 1997, especially following the death of 2Pac and the racketeering charges brought against Knight.[31] Susan Berg, president of Global Music Group, bought Death Row Records for US$24 million in June 2008, making her the owner of all of Dr. Dre's recordings.[32]


The Dr. Dre Presents the Aftermath album, released on November 26, 1996, featured songs by Dr. Dre himself as well as by newly signed Aftermath artists, and a solo track "Been There, Done That",

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intended as a symbolic farewell to gangsta rap.[33] Despite being classified platinum by the RIAA,[34] the album was not very popular among music fans.[2] In October 1996 Dr. Dre appeared on the sketch comedy program Saturday Night Live, broadcast on the NBC television network in the United States, to perform "Been There, Done That".[35] In 1997, Dr. Dre produced several tracks on The Firm's The Album; it was met with similarly negative reviews from critics. Rumors began to abound that Aftermath was facing financial difficulties.[36] Aftermath Entertainment also faced a trademark infringement lawsuit by the underground thrash metal band Aftermath.[37] First Round Knock Out, a compilation of various tracks produced and performed by Dr. Dre, was also released in 1996, ranging from World Class Wreckin' Cru to N.W.A to Death Row recordings.[38]

The turning point for Aftermath came in 1998, when Jimmy Iovine, the head of Aftermath's parent label Interscope, suggested that Young sign Detroit rapper Marshall Mathers, artistically known as Eminem, to Aftermath. Young produced three songs and provided vocals for two on his controversial album, ("My Name Is"

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, "Guilty Conscience"

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and "Role Model"

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) in 1999.[39]

Dr. Dre's second solo album, 2001, released in the fall of 1999, was considered an ostentatious return to his gangsta rap roots.[40] It was initially titled The Chronic 2000 to imply being a sequel to his debut album The Chronic but was re-titled 2001 after Death Row Records released an unrelated compilation album earlier in 1999. Other tentative titles included The Chronic 2001 and Dr. Dre.[41] The album featured numerous collaborators, including Devin the Dude, Hittman, Snoop Dogg, Xzibit,
Nate Dogg
and Eminem. Stephen Thomas Erlewine of the website Allmusic described the sound of the album as "adding ominous strings, soulful vocals, and reggae" to Dr. Dre's style.[40] The album was highly successful, charting at number two on the Billboard 200 charts[42] and has since been certified six times platinum,[28] thus reaffirming a recurring theme featured in its lyrics, stating that Dr. Dre was still a force to be reckoned with, despite the lack of major releases in the previous few years. The album included popular hit singles "Still D.R.E." and "Forgot About Dre", both of which Dr. Dre performed on NBC's Saturday Night Live on October 23, 1999.[43] Dr. Dre won the Grammy Award for Producer of the Year in 2000,[2] and joined the Up in Smoke Tour with fellow rappers Eminem, Snoop Dogg, and Ice Cube that year as well.[44]
During the course of the popularity of 2001, Dr. Dre was involved in several lawsuits. Lucasfilm Ltd., the film company behind the Star Wars film franchise, sued him over the use of the THX-trademarked "Deep Note".[45] The Fatback Band also sued Dr. Dre over alleged infringement of its song "Backstrokin'" in his song "Let's Get High" from the 2001 album; Dr. Dre was ordered to pay $1.5 million to the band in 2003.[46] The online music file-sharing company Napster also settled a lawsuit with him and heavy metal rock band Metallica in the summer of 2001, agreeing to block access to certain files that artists do not want to have shared on the network.[47]


Following the success of 2001, Dr. Dre focused on producing songs and albums for other artists. He produced the single "Family Affair"

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by R&B singer Mary J. Blige for her album No More Drama

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in 2001.[5] He also produced "Let Me Blow Ya Mind",

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a duet by rapper Eve and No Doubt lead singer Gwen Stefani[48] and signed R&B singer Truth Hurts to Aftermath in 2001.[49] Another copyright-related lawsuit came upon Dr. Dre in the fall of 2002, when Sa Re Ga Ma, a film and music company based in Calcutta, India, sued Aftermath Entertainment over an uncredited sample of the Lata Mangeshkar song "Thoda Resham Lagta Hai" on the Aftermath-produced song "Addictive" by singer Truth Hurts. In February 2003, a judge ruled that Aftermath would have to halt sales of Truth Hurts' album Truthfully Speaking if the company would not credit Mangeshkar.[50]
Another successful album that Dre produced for Aftermath was Get Rich or Die Tryin', the 2003 major-label debut album by Queens, New York-based rapper 50 Cent. It featured the Dr. Dre-produced hit single "In da Club",

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a joint production between Aftermath, Eminem's boutique label Shady Records and Interscope.[51] In April 2003, rapper Ja Rule released a mixtape of freestyle raps criticizing Dr. Dre and his associated artists 50 Cent and Eminem.[52] In November 2004, at the Vibe magazine awards show in Los Angeles, Dr. Dre was attacked by a fan named Jimmy James Johnson, who was supposedly asking for an autograph. In the resulting scuffle, then-G-Unit rapper Young Buck stabbed the man.[53] Johnson claimed that Suge Knight, president of Death Row Records, paid him $5,000 to assault Dre in order to humiliate him before receiving his Lifetime Achievement Award.[54] Knight immediately went on CBS's The Late Late Show to deny involvement and insisted that he supported Dr. Dre and wanted Johnson charged.[55] In September 2005, Johnson was sentenced to a year in prison and ordered to stay away from Dr. Dre until 2008.[56]
Dr. Dre also produced "How We Do", a 2005 hit single from rapper The Game from his album The Documentary.[57]
For an issue of Rolling Stone magazine in April 2005, Kanye West praised Dr. Dre as among the greatest performing artists of all time.[58]
In November 2006 Dr. Dre began working with Raekwon on his album Only Built 4 Cuban Linx II.[59] He also produced tracks for the rap albums Buck the World
by Young Buck[60], Curtis by 50 Cent,[61], Tha Blue Carpet Treatment by Snoop Dogg,[62] and Kingdom Come
by Jay-Z.[63] Dre also appeared onTimbaland's track "Bounce", from his 2007 solo album, Timbaland Presents Shock Value along side, Missy Elliott,
and Justin Timberlake.[64].
Among planned but unreleased albums during Dr. Dre's tenure at Aftermath have included a full-length reunion with Snoop Dogg titled Breakup to Makeup, an album with fellow former N.W.A member Ice Cube which was to be titled Heltah Skeltah,[24] an N.W.A reunion album,[24] and a joint album with fellow producer Timbaland titled Chairmen of the Board.[65]


Detox is to be Dr. Dre's final album.[66] In 2002, Dre told Corey Moss
of MTV News that he intended Detox to be a concept album.[7] Work for the album dates back to early 2004,[67] but later in that year he decided to stop working on the album to focus on producing for other artists but then changed his mind; the album had initially been set for a fall 2005 release.[68] After several delays, the album was finally scheduled to be released sometime in 2009 by Interscope Records, which has not set a firm release date for the album as of February 2009.[66] Producers confirmed to work on the album include Bernard "Focus" Edwards Jr.,[69] Hi-Tek,[70] J.R. Rotem,[71] RZA,[72]
Jay-Z,[73] Warren G,[74]
and Boi-1da.[75] Snoop Dogg claimed that Detox was finished, according to a June 2008 report by Rolling Stone magazine.[76]
After another delay based on producing other artists' work, Detox is now scheduled for a 2009 release, coming after 50 Cent's Before I Self Destruct and Eminem's Relapse.[77] Dre appeared in the remix of the song "Set It Off"

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by Canadian rapper Kardinal Offishall (also with Pusha T); the remix debuted on DJ Skee's radio show in December 2008.[78] At the beginning of 2009, Dre made a guest performance on the single "Crack a Bottle" by Eminem and the single sold a record 418,000 downloads in its first week.[79] and reached the top of the Billboard Hot 100 chart on the week of February 12, 2009.[80]
Other upcoming albums for which he will produce include The Reformation by Bishop Lamont,[81] The Nacirema Dream by Papoose, [82] Here I Am by Eve,[83] and an upcoming album by Queen Latifah.[84] Dre was also rumored to produce tracks for The Game's 2008 album LAX.[85]


In 2001, Dr. Dre appeared in the movies The Wash and Training Day.[86] A song of his, "Bad Intentions"

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(featuring Knoc-Turn'Al) and produced by Mahogany, was featured on The Wash soundtrack.[87] Dr. Dre also appeared on two other songs "On the Blvd." and "The Wash" along with his co-star Snoop Dogg. In February 2007 it was announced that Dr. Dre would produce dark comedies and horror films for New Line Cinema-owned company Crucial Films, along with longtime video director Phillip Atwell. Dr. Dre announced "This is a natural switch for me, since I've directed a lot of music videos, and I eventually want to get into directing."[88]


In July 2008, Dr. Dre released his high-performance brand of headphones, Beats by Dr. Dre. The headphones are made by Monster.[89] He is also planning on releasing an "Aftermath Cognac and vodka" around the same time he will release Detox.[90]



Dr. Dre has said that his primary instrument in the studio is the Akai MPC3000, a drum machine and sampler, and that he uses as many as four or five to produce a single recording. He cites George Clinton, Isaac Hayes
and Curtis Mayfield
as primary musical influences. Unlike most rap producers, he tries to avoid samples as much as possible, preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo.[91] In 2001 he told Time magazine, "I may hear something I like on an old record that may inspire me, but I'd rather use musicians to re-create the sound or elaborate on it. I can control it better."[92] Other equipment he uses include the E-mu SP-1200 drum machine and other keyboards from such manufacturers as Korg, Rhodes, Wurlitzer, Moog, and Roland.[93]
After founding Aftermath Entertainment in 1996, Dr. Dre took on producer Mel-Man as a co-producer, and his music took on a more synthesizer-based sound, using fewer vocal samples (as he had used on "Lil' Ghetto Boy" and "Let Me Ride" on The Chronic, for example). Mel-Man has not shared co-production credits with Dr. Dre since approximately 2002, but fellow Aftermath producer Focus has credited Mel-Man as a key architect of the signature Aftermath sound.[94] About.com ranked Dr. Dre #2 (tied with Pete Rock)
on their "Top 50 Hip-Hop Producers" list.[95]

In 1999 Dr. Dre started working with Mike Elizondo,
a bassist, guitarist, and keyboardist who has also produced, written and played on records for female singers such as Poe, Fiona Apple and Alanis Morissette,[96] In the past few years Elizondo has since worked for many of Dr. Dre's productions.[97][98] Dr. Dre also told Scratch magazine in a 2004 interview that he has been studying piano and music theory formally, and that a major goal is to accumulate enough musical theory to score movies. In the same interview he stated that he has collaborated with famed 1960s songwriter Burt Bacharach by sending him hip hop beats to play over, and hopes to have an in-person collaboration with him in the future.[91]


Dr. Dre has stated that he is a perfectionist and is known to pressure the artists with whom he records to give flawless performances.[91] In 2006 Snoop Dogg told the website Dubcnn.com that Dr. Dre had made new artist Bishop Lamont re-record a single bar of vocals 107 times.[99] Dr. Dre has also stated that Eminem is a fellow perfectionist, and attributes his success on Aftermath to his like-minded work ethic.[91]

A consequence of this perfectionism is that some artists that initially sign deals with Dr. Dre's Aftermath label never release albums. In 2001, Aftermath released the soundtrack to the movie The Wash. featuring a number of Aftermath acts such as Shaunta, Daks, Joe Beast and Toi. To date, none have released full-length albums on Aftermath and have apparently ended their relationships with the label and Dr. Dre. Other noteworthy acts to leave Aftermath without releasing albums include King Tee, 2001 vocalist Hittman, 1980s rap icon Rakim.[100]
However, over the years word of other collaborators has surfaced. During his tenure at Death Row Records, it was alleged that Dr. Dre's stepbrother Warren G and Tha Dogg Pound member Daz made many uncredited contributions to songs on his solo album The Chronic and Snoop Doggy Dogg's album Doggystyle (Daz received production credits on Snoop's similar-sounding, albeit less successful album Tha Doggfather after Young left Death Row Records).[101]
It is known that Scott Storch, who has since gone on to become a successful producer in his own right, contributed to Dr. Dre's second album 2001; Storch is credited as a songwriter on several songs and played keyboards on several tracks. In 2006 he told Rolling Stone:
"At the time, I saw Dr. Dre desperately needed something," Storch says. "He needed a fuel injection, and Dr. Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike [Elizondo] was on the bass guitar, and Dr. Dre was on the drum machine".[102]
Current collaborator Mike Elizondo,

when speaking about his work with Young, describes their recording process as a collaborative effort involving several musicians. In 2004 he claimed to Songwriter Universe magazine that he had written the foundations of the hit Eminem song "The Real Slim Shady", stating, "I initially played a bass line on the song, and Dr. Dre, Tommy Coster Jr. and I built the track from there. Eminem then heard the track, and he wrote the rap to it."[98] This account is essentially confirmed by Eminem in his book Angry Blonde, stating that the tune for the song was composed by a studio bassist and keyboardist while Dr. Dre was out of the studio but later programmed the song's beat after returning.[103]
Furthermore, in the September 2003 issue of The Source, a group of disgruntled former associates of Dr. Dre complained that they had not received their full due for work on the label. A producer named Neff-U claimed to have produced the songs "Say What You Say"

and "My Dad's Gone Crazy"

on The Eminem Show, the songs "If I Can't"

and "Back Down"

on 50 Cent's Get Rich or Die Tryin', and the beat featured on Dr. Dre's commercial for Coors beer.[100]
Although Young studies piano and musical theory, he serves as more of a conductor than a musician himself, as Josh Tyrangiel of Time magazine has noted:
Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound. "My greatest talent," Dre says, "is knowing exactly what I want to hear."[92]

Although Snoop Dogg retains working relationships with Warren G
and Daz, who are alleged to be uncredited contributors on the hit albums The Chronic and Doggystyle, he states that Dr. Dre is capable of making beats without the help of collaborators, and that he is responsible for the success of his numerous albums.[104] It should be noted that Dr. Dre's prominent studio collaborators, including Scott Storch, Elizondo, Mark Batson
and Dawaun Parker,
have shared co-writing, instrumental, and more recently co-production credits on the songs where he is credited as the producer.
It is also widely acknowledged that most of Dr. Dre's raps are written for him by others, though he retains ultimate control over his lyrics and the themes of his songs. As Aftermath Producer Mahogany told Scratch: "It's like a class room in [the booth]. He'll have three writers in there. They'll bring in something, he'll recite it, then he'll say. 'Change this line, change this word,' like he's grading papers."[105] As seen in the credits for tracks Young has appeared on, there are often multiple people who contribute to his songs (although it should be noted that often in hip hop many people are officially credited as a writer for a song, even the producer). As a member of N.W.A, The D.O.C. wrote lyrics for him while he stuck with producing.[106] Popular New York City rapper Jay-Z
ghostwrote lyrics for the single "Still D.R.E." from Dr. Dre's album 2001.[41]


Dr. Dre discography and Dr. Dre production discography
The Chronic (1992), Death Row
2001 (1999), Aftermath
Detox (2009), Aftermath


"Let Me Ride"—Grammy Award for Best Rap Solo Performance - 1994

"California Love"—Grammy Award Nomination as Best Rap Performance by a Duo or Group (with 2Pac and Roger Troutman) - 1997.

"No Diggity"—Grammy Award for Best R&B Performance by a Duo or Group with Vocals (with Blackstreet and Queen Pen) - 1998

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"Forgot About Dre"—Grammy Award for Best Rap Performance By A Duo Or Group - 2001 | (with Eminem)

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"Still D.R.E."—Grammy Award Nomination Best Rap Performance by a Duo or Group (with Snoop Dogg) and The Source Awards Nomination Single of the year (2000)

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The Marshall Mathers LP—Grammy Award for Best Rap Album - 2001 (with Eminem)
Various Production—Grammy Award for Producer of the Year - 2001

His first child, Curtis Young, was born to Cassandra Joy Greene, then age 16, when Dre was 17 years old[107]. Curtis Young is also a rapper who goes by the name Hood Surgeon[108]
He had a second son, Andre Young Jr, with then-girlfriend Jenita Porter. Andre Young Jr. was discovered "unresponsive" by his mother at his home in. He died at the age of 20 on August 23, 2008 at his Woodland Hills home.[109] Young's mother told police that she attempted to rouse her son at 10:24 a.m. on Saturday, and when she couldn't, she called paramedics. They pronounced him dead at the scene.The coroner determined that he died from an overdose of heroin and morphine.[110]

Dr. Dre Buries His Son Andre Young, Jr a few days later.




















Niggaz4Life: The Only Home Video (1992), himself

Set It Off (1996), Black Sam

Up in Smoke Tour (2000), himself

Training Day (2001), Paul

The Wash (2001), Sean



From 1990 to 1996 Dr. Dre dated singer Michel'le,
who frequently contributed vocals to Death Row Records albums. In 1991 the couple had a son, Marcel. In May 1996 Dr. Dre married Nicole Threatt,
the ex-wife of NBA player Sedale Threatt.[111] Dr. Dre and Nicole have two children together: a son named Truth (born 1997) and a daughter named Truly (born 2001).


In 2001, Dr. Dre earned a total of about $52 million from selling part of his share of Aftermath Entertainment to Interscope Records and his production of such hit songs that year as "Family Affair" by Mary J. Blige.

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Rolling Stone magazine thus named him the second highest-paid artist of the year.[5] Dr. Dre was ranked 44th in 2004 from earnings of just $11.4 million, primarily from production royalties from such projects as albums from G-Unit and D12
and the single "Rich Girl" by singer Gwen Stefani
and rapper Eve.[6]

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He was ranked 9th in 2008 from earnings of $15 million [112]

1. 50 Cent - $150 million
2. Jay-Z - $82 million
3. P Diddy - $35 million
4. Kanye West - $30 million
5. Timbaland - $22 million
6. Pharrell Williams - $20 million
7. Swizz Beatz - $17 million
8. Snoop Dogg - $16 million
9. Dr. Dre - $15 million
10. Ludacris - $14 million
11. T.I. - $13 million
12. Lil Wayne - $13 million
13. Eminem - $12 million
14. Common - $12 million
15. Akon - $12 million
16. Jermaine Dupri - $11 million
17. Lil Jon - $11 million
18. OutKast - $10 million
19. Chamillionaire - $10 million
20. The Game - $10 million

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