Ellas Otha Bates was none by his stage name Bo Diddley (
December 30,
1928 –
June 2,
2008, he was an original and influential
American rock & roll singer,
guitarist, and
songwriter. He was known as The Originator because of his key role in the transition from
blues to rock & roll. He introduced more insistent, driving
rhythms and a hard-edged guitar sound on a wide-ranging catalog of songs. He was also known for his technical innovations, including his trademark rectangular guitar. Bo Diddley received an honorary degree from the
University of Florida in August 2008 that was accepted by his daughter, Evelyn Kelly, on his behalf.
Early life and career
Born in
McComb,
Mississippi, USA as Ellas Otha Bates,
[1] he was
adopted and raised by his mother's cousin, Gussie McDaniel, whose surname he assumed, becoming Ellas McDaniel. The family moved to
Chicago when he was seven.
[2] He took
violin lessons as a youth, but was inspired to become a guitarist after seeing
John Lee Hooker.
He worked as a carpenter and mechanic, but also began a musical career
playing on street corners with friends, including Jerome Green (c. 1934–1973),
[3] as a band called the
Hipsters (later the Langley Avenue Jive Cats). During the summer of 1943–44, he played for tips at the Maxwell Street market in a band with Earl Hooker.
[4] In 1951, he landed a regular spot at the 708 Club on Chicago's
South Side, with a repertoire influenced by
Louis Jordan, John Lee Hooker, and
Muddy Waters.
In late 1954, he teamed up with
harmonica player
Billy Boy Arnold,
drummer Clifton James and
bass player Roosevelt Jackson, and recorded
demos of "
I'm A Man" and "
Bo Diddley". They re-recorded the songs at
Chess Studios with a backing
ensemble comprising
Otis Spann (piano), Lester Davenport (harmonica), Frank Kirkland (drums) and Jerome Green (maracas). The record was released in March
1955, and the
A-side, "Bo Diddley", became a #1
R&B hit.
McDaniel would adopt the
stage name "Bo Diddley". The origin of the name is somewhat unclear, as several differing stories and claims exist. Some sources state that it was his nickname as a teenage
Golden Gloves boxer, while others claim that it originates from the a one-stringed instrument called the
diddley bow. Bo Diddley himself has said that the name first belonged to a singer his adoptive mother was familiar with, while harmonicist
Billy Boy Arnold once said in an interview that it was originally the name of a local comedian that
Leonard Chess borrowed for the song title and artist name for Bo Diddley's first single.
[5]Bo Diddley was well known for the "Bo Diddley beat," a
rumba-like beat (see
clave), similar to "
hambone", a style used by
street performers who play out the beat by slapping and patting their arms, legs, chest, and cheeks while
chanting rhymes. Somewhat resembling
"shave and a haircut" beat, Diddley came across it while trying to play
Gene Autry's "(I've Got Spurs That) Jingle, Jangle, Jingle".
[6] Three years before Bo's "Bo Diddley", a song that closely resembles it, "Hambone", was cut by
Red Saunders' Orchestra with The Hambone Kids.
In its simplest form, the Bo Diddley beat can be counted out as a two-bar phrase:
"One and two and three and four and one and two and three and four and..."
The bolded counts are the
clave rhythm.
Shave and a haircut, another clave derivative, also fits, as does the non-musician's count of "one-two-three one-two".
His songs (for example, "
Hey Bo Diddley" and "
Who Do You Love?") often have no
chord changes; that is, the musicians play the same chord throughout the piece, so that the rhythms create the excitement, rather than having the excitement generated by harmonic
tension and release. In his other recordings, Bo Diddley used a variety of rhythms, from straight
back beat to
pop ballad style to
doo-wop, frequently with maracas by Jerome Green.
Bo Diddley during an April 21, 2005 concert at the Lucerna Bar in
PragueAlso an influential guitar player, he developed many special effects and other innovations in tone and attack. Bo Diddley's
trademark instrument was the rectangular-bodied
Gretsch,
nicknamed "The Twang Machine." Although he had other similar-shaped guitars custom-made for him by other manufacturers, he fashioned this guitar himself around 1958 and wielded it in thousands of concerts over the years. In a 2005 interview on
JJJ radio in
Australia, Bo implied that the design sprang from an embarrassing moment. In an early
gig, while jumping around on stage with a
Gibson L5 guitar, he landed awkwardly hurting his groin.
[7] [8][
citation needed] He then went about designing a smaller, less restrictive guitar that allowed him to keep jumping around on stage while still playing his guitar. He also played the
violin, which is featured on his mournful
instrumental "The Clock Strikes Twelve", a
12-bar blues.
[9]He often created lyrics as witty and humorous adaptations of
folk music themes. The song "Bo Diddley" was based on the
lullaby "
Hush Little Baby." Likewise, "Hey Bo Diddley" is based on the folk song "
Old MacDonald". The
rap-style boasting of "Who Do You Love", a
wordplay on
hoodoo, used many striking lyrics from the
African-American tradition of
toasts and boasts. His "Say Man" and "Say Man, Back Again" both share a strong connection to the
insult game known as
the dozens. For example: "You got the nerve to call somebody ugly, why you so ugly the stork that brought you into the world ought to be arrested".
[10]On
November 20,
1955, he appeared on
The Ed Sullivan Show, a popular
television variety show, where he infuriated
the host. "I did two songs and he got mad," Bo Diddley later recalled. "Ed Sullivan said that I was one of the first colored boys to ever double-cross him. Said that I wouldn't last six months". The show had requested that he sing the Merle Travis penned, Tennessee Ernie Ford hit "
Sixteen Tons", but, when he appeared on stage, he sang "Bo Diddley" instead. This substitution resulted in his being banned from further appearances.
He continued to have hits through the late 1950s and the 1960s, including "Pretty Thing" (1956), "Say Man" (1959), and "You Can't Judge a Book By the Cover" (1962). He released a string of
albums whose titles — including Bo Diddley Is a Gunslinger and Have Guitar, Will Travel — bolstered his self-invented
legend. Between 1958 and 1963,
Checker Records released 11 full-length albums by Bo Diddley. Although he broke through as a crossover artist with white audiences (appearing on the
Alan Freed concerts, for example), he rarely tailored his compositions to
teenage concerns.
In 1963, he starred in a
UK concert tour with the
Everly Brothers and
Little Richard.
The Rolling Stones, still unknown at that time, appeared much lower on the same bill. Over the decades, his performances have ranged from sweaty Chicago clubs to rock and roll
oldies tours. He appeared as an
opening act for
The Clash in 1979 and as a guest of the Rolling Stones. On
March 25,
1972, he played with
The Grateful Dead at the
Academy of Music in
New York City. The Dead released this concert as volume 30
Dick's Picks of their
live album series.
In addition to the many songs recorded by him, in 1956 he co-wrote, with
Jody Williams, the pioneering
pop song "
Love Is Strange", a hit for
Mickey & Sylvia in 1957.
[11]Bo Diddley has included women in his band, being one the first American male musicians to do so. This includes Peggy Jones (aka
Lady Bo, born 1940),
Norma-Jean Wofford (aka
The Duchess, c. 1942–2005), Cornelia Redmond (aka Cookie) and Debby Hastings, who led his band for the final 25 years of his performing career. He also set up one of the first
home recording studios.
[2]In the early 1970s, the
soundtrack for the ground-breaking
animated film "Fritz The Cat" contained his song "Bo Diddley", in which a
crow idly
finger-pops along to the track.
In recent years, Bo Diddley achieved numerous accolades in recognition of his significant role as one of the founding fathers of rock and roll. In 1986, he was inducted into the
Washington Area Music Association's Hall of Fame. The following year saw his induction into the
Rock and Roll Hall of Fame. His pioneering contribution to
rockabilly has been recognized by the
Rockabilly Hall of Fame. In 1996, he received a Lifetime Achievement Award from the
Rhythm and Blues Foundation. The following year saw his 1955 recording of his song "Bo Diddley" inducted into the Grammy Hall of Fame as a recording of lasting qualitative or historical significance. He received a
Grammy Lifetime Achievement Award in 1998.
His pawnbroker character's offering Louis Winthorpe III "fifty bucks" created one of more quoted scenes in 1983's
Trading Places. In the late 1980s, he teamed with
Bo Jackson in
Nike's infamous "
Bo Knows" commercials, saying his one line: "Bo, you don't know Diddley!"
The start of the new millennium saw Bo Diddley inducted into the Mississippi Musicians Hall of Fame and into the North Florida Music Association's Hall of Fame. He received a Pioneer in Entertainment Award in 2002 from the National Association of Black Owned Broadcasters, and a
Broadcast Music Incorporated (BMI) Icon Award.
In 2003, U.S. Representative
John Conyers paid tribute to Bo Diddley in the
United States House of Representatives describing him as "one of the true pioneers of rock and roll, who has influenced generations".
[12]In 2004,
Mickey and
Sylvia's 1956 recording of his song, "
Love Is Strange," was inducted into the
Grammy Hall of Fame as a recording of qualitative or historical significance, and he was inducted into the
Blues Foundation's Blues Hall of Fame. In 2004,
Rolling Stone ranked him #20 on their list of the
100 Greatest Artists of All Time.
[13].
In 2005, Bo Diddley celebrated his 50th anniversary in music with successful tours of
Australia and
Europe, and with coast-to-coast shows across
North America. He performed his song "Bo Diddley" with
Eric Clapton and
Robbie Robertson at the
Rock and Roll Hall of Fame's 20th annual induction ceremony and in the UK,
Uncut magazine included his 1958
debut album "Bo Diddley" in its listing of the '100 Music, Movie & TV Moments That Have Changed The World'.
In 2006, Bo Diddley participated as the headliner of a
grass-roots organized
fundraiser concert, to benefit the town of
Ocean Springs,
Mississippi, which had been devastated by
Hurricane Katrina. The "Florida Keys for Katrina Relief" had originally been set for
October 23,
2005, when
Hurricane Wilma barreled through the
Florida Keys on
October 24 causing flooding and economic mayhem. In January 2006, the
Florida Keys had recovered enough to host the fundraising concert to benefit the more hard-hit community of Ocean Springs. When asked about the fundraiser Bo Diddley stated, "This is the United States of America. We believe in helping one another."
[14]. In an interview with Holger Petersen, on
Saturday Night Blues on
CBC Radio in the fall of 2006
[15] Bo Diddley commented about the racism that existed in the music industry establishment during the early part of his career that saw him deprived of his royalty revenue from the most successful part of his career.
He spent many years in
New Mexico, not only as a musician, but also for 2 1/2
years as a law officer.
[16]He lived in
Los Lunas from 1971 to 1978 while continuing his musical career. Bo Diddley served for two and a half years as Deputy Sheriff in the
Valencia County Citizens' Patrol; during that time he personally purchased and donated three
highway patrol pursuit cars.
[16]For the remainder of his life he resided in
Archer, Florida, a small farming town near
Gainesville, Florida, where he attended a
born again Christian church with some of his children, grandchildren and great-grandchildren. He continued to tour around the world. As of the last two years of his life, he had intended to record some faith-based songs, at least some of which would be utilizing his own original music.
Bo Diddley performed a number of shows around the country in 2005 and 2006 with the
Johnnie Johnson Band, featuring Johnson on keyboards, Richard Hunt on drums and Gus Thornton on bass.
May 13,
2007 Bo Diddley was admitted to
intensive care in
Creighton University Medical Center in
Omaha, Nebraska, following a
stroke after a concert at
Council Bluffs, Iowa on
May 12.
[17] Starting his Saturday,
May 12,
2007 show, he complained that he didn't feel well. He referred to smoke from the wildfires that were ravaging the area surrounding his Florida home and seemed lethargic and slightly dazed. Later he warmed to the encouragement of the audience and delivered a surprisingly energetic performance for a man of his age. Later that evening, after the concert, he suffered a stroke. The next day, as Bo Diddley was being taken to the airport, it was apparent that he required hospitalization and he was taken by ambulance to
Creighton University Medical Center.
[18] He had a history of
hypertension and
diabetes, and the stroke affected the left side of his brain, causing receptive and expressive
aphasia (speech impairment).
[19] The stroke was followed by a heart attack, suffered in Gainesville Florida,
August 28,
2007.
[20]While recovering from the stroke and heart attack, Diddley came back to his home town of
McComb in early November 2007 for the unveiling of a plaque devoted to him on the National Blues Trail stating that he was "acclaimed as a founder of rock and roll." He was not supposed to perform, but as he listened to the music of local musician Jesse Robinson who sang a song written for this occasion, Robinson sensed that he wanted to perform and handed him a microphone. That was the first and last time that Bo Diddley performed publicly since suffering a stroke.
[21]Bo Diddley died on
June 2,
2008 of
heart failure at his home in
Archer, Florida.
[22] Garry Mitchell, a grandson of Diddley and one of more than 35 family members at the musician's home when he died at 1:45 a.m. EDT (05:45 GMT), said his death was not unexpected. "There was a gospel song that was sung (at his bedside) and (when it was done) he said 'wow' with a thumbs up," Mitchell told Reuters, when asked to describe the scene at Diddley's deathbed. "The song was 'Walk Around Heaven' and in his last words said "I'm going to heaven."
[23]At the time of his death, Diddley's survivors included his 4 children, Evelyn Kelly, Ellas A. McDaniel, Tammi D. McDaniel, and Terri Lynn McDaniel; 15 grandchildren, 15 great-grandchildren and 3 great-great-grandchildren; and a brother, Kenneth Haynes of Biloxi, MS.
[24]His funeral, a four-hour "homecoming" service, took place on June 7, 2008 at Showers of Blessings Church in Gainesville, Florida and kept in tune with the vibrant spirit of Bo Diddley's life and career. The many in attendance chanted "Hey Bo Diddley" as a gospel band played the legend's music. A number of music notables sent flowers, including:
George Thorogood,
Tom Petty, and
Jerry Lee Lewis.
[25] [26] Little Richard, who had been asking his audiences to pray for Bo Diddley throughout his illness, had to fulfill concert commitments in Westbury and New York City the weekend of the funeral. He took time to remember Bo Diddley, his friend of a half-century, performing his namesake tune in his honor.
[27]After the funeral service, a tribute concert was held at the Martin Luther King Center, also in Gainesville, and featured his touring band, The Debby Hastings Band, and guest artist
Eric Burdon.
The Bo Diddley beat has been used by many other artists, including
Elvis Presley ("
His Latest Flame");
Bruce Springsteen ("
She's The One");
U2 ("
Desire");
The Smiths ("
How Soon Is Now?");
Roxette ("
Harleys And Indians (Riders In The Sky)");
Dee Clark, a former member of the Hambone Kids (see above) ("Hey Little Girl");
Johnny Otis ("Willie and the Hand Jive");
George Michael ("
Faith");
Normaal ("
Kearl van stoahl");
Elton John ("
Billy Bones And The White Bird");
The Strangeloves ("
I Want Candy");
Ace Frehley ("
New York Groove");
KT Tunstall ("
Black Horse and the Cherry Tree");
Primal Scream ("
Movin' on up");
David Bowie ("Panic in Detroit");
The Pretenders ("Cuban Slide");
The Police ("Deathwish");
Wayne Fontana &
The Mindbenders ("
The Game of Love");
The Supremes ("When the Lovelight Starts Shining Through His Eyes");
Jefferson Airplane ("
She Has Funny Cars");
The Beatles ("
She's a Woman");
The White Stripes ("Screwdriver");
The Byrds ("Don't Doubt Yourself, Babe"); Tiny Letters ("Song For Jerome Green");
The Stooges ("1969") and
Guns N' Roses ("Mr Brownstone"). The early
Rolling Stones sound was strongly associated with their versions of "
Not Fade Away" and "I Need You Baby (Mona)". The Who's "Magic Bus" also is based upon the distinctive "Bo Diddley Beat". Warren Zevon sang "Bo Diddley Is a Gunslinger."
Diddley's own songs have been frequently
covered. The Clash recorded "Mona" during the
London Calling sessions. "The Story of Bo Diddley" was recorded by both
The Animals and
Bob Seger, the former including an
Eric Burdon rap about meeting Bo, Jerome and the Duchess, and their reactions to the Animals using their material.
The Who,
The Remains and
The Yardbirds covered "
I'm a Man", and The Woolies,
George Thorogood, Ronnie Hawkins and
Juicy Lucy had hits with "Who Do You Love", which was also covered by
Quicksilver Messenger Service, who also covered "Mona",
Patti Smith and
The Jesus and Mary Chain, and was a concert favorite of
The Doors.
Chris Isaak covered "
Diddley Daddy" on his third album,
Heart Shaped World. Diddley's "
Road Runner" was the opening track on
The Pretty Things' eponymous first album in 1965, and was also frequently covered in concert by bands including Humble Pie and The Who, and on
Aerosmith's album
Honkin' on Bobo.
Guru Guru - a
Krautrock band - performed "Bo Diddley" on their live album Essen 1970, though the track cuts off rather abruptly at the twelve-minute mark. Both
Eric Clapton and
Creedence Clearwater Revival covered "Before You Accuse Me".
Velvet Underground drummer
Maureen Tucker counts Diddley as one of her chief influences and covered "Bo Diddley" on her
solo album,
Life in Exile After Abdication.
Tom Petty has played "I Need You Baby (Mona)" in concert, and performed it with Diddley himself in 1999.
[20] A short version of "Who Do You Love" appears as a bonus track on the CD reissue of the
Grateful Dead's album
Europe '72.
In 1963, Buddy Holly's version of "Bo Diddley" provided Holly with a top-ten posthumous hit in the UK, peaking at No. 7 in the summer of that year. The
B-side of Holly's 1958 hit, "Oh Boy", namely "Not Fade Away" (written in part by Holly under the pseudonym
Charles Hardin [he was christened Charles Hardin Holley]) also featured the classic Bo Diddley beat and inspired The Rolling Stones 1964 version, which was their third UK release (peaking at No. 3 in the UK early in 1964) and their first release in the United States. The Rolling Stones also recorded a cover of "Mona (I need you)" in their first album.
Muddy Waters' "Mannish Boy" (originally "Manish Boy") was an adaptation of Bo Diddley's "I'm a Man" and also an
answer song, the title being Muddy Waters' take on his younger rival. Tiny Letters recorded a song called "song to Jerome Green," about Bo's maraca player. "Say Man" was Bo Diddley's only
Top 40 hit.
David Lindley recorded a tribute song entitled "Pay Bo Diddley".
The Jesus and Mary Chain covered "Who Do You Love" on their 12" "April Skies" in 1987 and in the same year recorded a tribute song "Bo Diddley is Jesus" on a 2x7".
Elliott Murphy used both his name and beat in his song "Bilbao Bo Diddley".
Ronnie Hawkins recorded and covered "Hey Bo Diddley", "
Bo Diddley" and "Who Do You Love" during his many recording sessions, including those with his
backing band of the time,
The Hawks, who later became known as
The Band. The
Finnish rock/blues band
Max on the Rox also covered "Who Do You Love" in their second album,
Rox II.
Diddley was popular with
proto-punk musicians and later in the
punk scene. For example both the
New York Dolls and
The Lurkers recorded their own version of his song "Pills", and Diddley was the opening act on
The Clash's first U.S. tour.
Diddley's song "Who Do You Love" can be heard in the intro credits to the movie
La Bamba. He appeared on a 2003 episode of the sitcom
According to Jim entitled "Bo Diddley", had a small role as a pawnbroker in the 1983 film
Trading Places, starring
Eddie Murphy and
Dan Aykroyd, and appeared in George Thorogood's "Bad To The Bone" video. The song "Bad To The Bone" itself is a re-work of Diddley's "I'm A Man." Eric Clapton's 1989 "Journeyman" and 1992 "Unplugged" included electric and acoustic covers of Diddley's "Before You Accuse Me".
The country singer
Kenny Rogers admitted to being a big fan of Bo Diddley, inviting him several times on his TV show in the
1970s and sometimes singing "Bo Diddley" in concert.
Bo Diddley was honored by the Mississippi Blues Commission with a
Mississippi Blues Trail historic marker placed in McComb, his birthplace, in recognition of his enormous contribution to the development of the blues in Mississippi.
[28]
Kevin Jerome Duckworth (April 1, 1964 – August 25, 2008) was an American professional basketball player at center in the National Basketball Association, most notably as a member of the Portland Trail Blazers.[edit] Early life and careerDuckworth was born in Harvey, Illinois and grew up in Chicago, where he played basketball at Thornridge High School.[1] He attended Eastern Illinois University (EIU), where he set a university record of 867 rebounds, a record that still held at the time of his death.[1]He also led EIU to the Mid-Continent Conference Tournament Championship in 1985 and was the Conference Player of the Year in 1986.[1]Duckworth was the ninth pick in the 2nd round of the 1986 NBA Draft, chosen by the San Antonio Spurs. Later that season, he was traded to the Portland Trail Blazers for rookie Walter Berry.His rookie season was unspectacular, as Duckworth came off the bench to back up center Steve Johnson (who in turn got the starting center position when Sam Bowie suffered a broken leg). However, the next season Johnson went down with an injury (in addition; Bowie broke his leg again at the beginning of the season), and Duckworth was pushed into the starting role, from where he averaged 15.8 points and 7.4 rebounds per game. Also, after having previously never averaged over 70.0 percent from the free throw line, he shot 77% that year, rebounded well, and played good defense - earning him the 1988 NBA Most Improved Player Award.
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