|
Tristan Manco AKA Banksy |
Who is Banksy? The world knows him as Tristan Manco. Banksy is a pseudonymous name for him he is a
graffiti artist, political activist, film director, and painter who is based in the United Kingdom.
His
satirical street art and subversive
epigrams combine
dark humour with
graffiti done in a distinctive
stencilling
technique. Such artistic works of political and social commentary have
been featured on streets, walls, and bridges of cities throughout the
world.
[1]
Banksy's work was made up of the
Bristol underground scene which involved collaborations between artists and musicians.
[2] According to author and graphic designer Tristan Manco and the book
Home Sweet Home, Banksy "was born in 1974 and raised in Bristol, England.
[3]
The son of a photocopier technician, he trained as a butcher but became
involved in graffiti during the great Bristol aerosol boom of the late
1980s."
[4] Observers have noted that his style is similar to
Blek le Rat, who began to work with stencils in 1981 in Paris,
Jef Aerosol, who sprayed his first street stencil in 1982 in Tours (France), and members of the
anarcho-punk band
Crass, which maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s.
[5][6] However, Banksy says he was inspired by
3D, a graffiti artist who later became a founding member of
Massive Attack.
[7]
Known for his contempt for the government in labelling graffiti as
vandalism, Banksy displays his art on
publicly visible surfaces such as
walls, even going as far as to build physical prop pieces. Banksy does
not sell photos of street graffiti directly himself; however, art
auctioneers have been known to attempt to sell his street art on
location and leave the problem of its removal in the hands of the
winning bidder.
[8] Banksy's first film,
Exit Through the Gift Shop, billed as "the world's first street art disaster movie," made its debut at the 2010
Sundance Film Festival.
[9] The film was released in the UK on 5 March 2010.
[10] In January 2011, he was nominated for the
Academy Award for Best Documentary for the film.
Career
Early career (1992–2001)
Banksy began as a freehand graffiti artist in 1990–1994
[11] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.
[12] He was inspired by local artists and his work was part of the larger
Bristol underground scene with
Nick Walker,
Inkie and
3D.
[13][14] During this time he met Bristol photographer
Steve Lazarides, who began selling Banksy's work, later becoming his agent.
[15] From the start Banksy used stencils as elements of his freehand pieces, too.
[11]
By 2000 he had turned to the art of stencilling after realising how
much less time it took to complete a work. He claims he changed to
stencilling while he was hiding from the police under a rubbish lorry,
when he noticed the stencilled serial number
[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.
[16] He played football with the
Easton Cowboys and Cowgirls in the 1990s and toured with the club to Mexico in 2001.
[17]
Banksy's stencils feature striking and humorous images occasionally
combined with slogans. The message is usually anti-war, anti-capitalist
or anti-establishment. Subjects often include rats, apes, policemen,
soldiers, children, and the elderly.
In July 2011 one of Banksy's early works,
Gorilla in a Pink Mask, which had been a prominent landmark on the exterior wall of a former social club in
Eastville for over ten years, was unknowingly painted over after the premises became a Muslim cultural centre.
[19][20]
Exhibitions (2002–2003)
On 19 June 2002, Banksy's first Los Angeles exhibition debuted at 33
⅓ Gallery, a tiny Silver Lake venue owned by Frank Sosa. The exhibition, entitled
Existencilism, was curated by 33
⅓ Gallery, Malathion LA's Chris Vargas, Funk Lazy Promotions' Grace Jehan, and B+.
[21]
In 2003, at an exhibition called
Turf War, held in a warehouse, Banksy painted on animals. Although the
RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.
[22] He later moved on to producing
subverted paintings;
[citation needed] one example is
Monet's
Water Lily Pond, adapted to include urban detritus such as litter and a
shopping trolley floating in its reflective waters; another is
Edward Hopper's
Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his
Union Flag underpants, who has just thrown an object through the glass window of
the cafe. These oil paintings were shown at a twelve-day exhibition in
Westbourne Grove,
£10 notes to Barely Legal (2004–2006)
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with
Diana, Princess of Wales's
head and changing the text "Bank of England" to "Banksy of England."
Someone threw a large wad of these into a crowd at Notting Hill Carnival
that year, which some recipients then tried to spend in local shops.
These notes were also given with invitations to a Santa's Ghetto
exhibition by Pictures on Walls. The individual notes have since been
selling on
eBay
for about £200 each. A wad of the notes were also thrown over a fence
and into the crowd near the NME signing tent at The Reading Festival. A
limited run of 50 signed posters containing ten uncut notes were also
produced and sold by Pictures on Walls for £100 each to commemorate the
death of Princess Diana. One of these sold in October 2007 at
Bonhams auction house in London for £24,000.
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on the
Israeli West Bank wall.
[24]
Banksy held an exhibition called
Barely Legal, billed as a
"three-day vandalised warehouse extravaganza" in Los Angeles, on the
weekend of 16 September 2006. The exhibition featured a live "
elephant in a room,"
painted in a pink and gold floral wallpaper pattern, which, according
to leaflets handed out at the exhibition, was intended to draw attention
to the issue of world poverty. Although the Animal Services Department
had issued a permit for the elephant, after complaints from
animal rights
activists, the elephant appeared unpainted on the final day. Its owners
rejected claims of mistreatment and said that the elephant had done
"many, many movies. She's used to makeup."
[25]
Banksy also made artwork displaying Queen Victoria as a lesbian and
satirical pieces that incorporated art made by Andy Warhol and Leonardo
da Vinci.
[26]
The Banksy effect (2006–2007)
After
Christina Aguilera bought an original of
Queen Victoria as a lesbian and two prints for £25,000,
[28] on 19 October 2006, a set of
Kate Moss paintings sold in
Sotheby's
London for £50,400, setting an auction record for Banksy's work. The
six silk-screen prints, featuring the model painted in the style of
Andy Warhol's
Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green
Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.
[29] In December, journalist
Max Foster
coined the phrase, "the Banksy effect," to illustrate how interest in
other street artists was growing on the back of Banksy's success.
[30]
On 21 February 2007, Sotheby's auction house in London auctioned
three works, reaching the highest ever price for a Banksy work at
auction: over £102,000 for his
Bombing Middle England. Two of his other graffiti works,
Balloon Girl and
Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.
[32] The following day's auction saw a further three Banksy works reach soaring prices:
Ballerina with Action Man Parts reached £96,000;
Glory sold for £72,000;
Untitled (2004) sold for £33,600; all significantly above estimated values.
[33]
To coincide with the second day of auctions, Banksy updated his website
with a new image of an auction house scene showing people bidding on a
picture that said, "I Can't Believe You Morons Actually Buy This Shit."
[34] In February 2007, the owners of a house with a Banksy mural on the side in
Bristol
decided to sell the house through Red Propeller art gallery after
offers fell through because the prospective buyers wanted to remove the
mural. It is listed as a mural that comes with a house attached.
[35]
In 2008, Nathan Wellard and Maev Neal, a couple from Norfolk, UK, made
headlines in Britain when they decided to sell their mobile home that
contains a 30-foot mural, entitled Fragile Silence, done by Banksy a
decade prior to his rise to fame. According to Nathan Wellard, Banksy
had asked the couple if he could use the side of their home as a "large
canvas," to which they agreed. In return for the "canvas", the Bristol
stencil artist gave them two free tickets to the Glastonbury Music
Festival
[1]. The mobile home purchased by the couple 11 years ago for 1,000 GBP, is now being sold for 500,000 GBP.
[36]
In April 2007,
Transport for London painted over Banksy's iconic image of a scene from
Quentin Tarantino's
Pulp Fiction, featuring
Samuel L. Jackson and
John Travolta clutching bananas instead of guns. Although the image was very popular,
Transport for London
claimed that the "graffiti" created "a general atmosphere of neglect
and social decay which in turn encourages crime" and their staff are
"professional cleaners not professional art critics."
[37]
Banksy tagged the same site again and, initially, the actors were
portrayed as holding real guns instead of bananas, but they were adorned
with banana costumes. Some time later, Banksy made a tribute artwork
over this second
Pulp Fiction work. The tribute was for
19-year-old British graffiti artist Ozone who, along with fellow artist
Wants, was hit by an underground train in
Barking, East London on 12 January 2007.
[38]
Banksy depicted an angel wearing a bullet-proof vest holding a skull
(pictured below left). He also wrote a note on his website saying:
On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work
Space Girl & Bird fetching £288,000 (US$576,000) around 20 times the estimate at
Bonhams of London.
[40] On 21 May 2007 Banksy gained the award for Art's
Greatest living Briton.
Banksy, as expected, did not turn up to collect his award and continued
with his notoriously anonymous status. On 4 June 2007, it was reported
that Banksy's
The Drinker had been stolen.
[41][42] In October 2007, most of his works offered for sale at
Bonhams auction house in London sold for more than twice their reserve price.
[43]
Banksy has published a "
manifesto" on his website.
[44] The text of the manifesto is credited as the diary entry of one
Lieutenant Colonel Mervin Willett Gonin,
DSO, which is exhibited in the
Imperial War Museum. It describes how a shipment of lipstick to the
Bergen-Belsen concentration camp
immediately after its liberation at the end of World War II helped the
internees regain their humanity. However, as of 18 January 2008,
Banksy's Manifesto has been substituted with Graffiti Heroes No.03 that
describes Peter Chappell's graffiti quest of the 1970s that worked to
free
George Davis of his imprisonment.
[44] By 12 August 2009 he was relying on
Emo Philips'
"When I was a kid I used to pray every night for a new bicycle. Then I
realised God doesn't work that way, so I stole one and prayed for
forgiveness." A small number of Banksy's works can be seen in the movie
Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
Banksy, who "is not represented by any of the commercial galleries
that sell his work second hand (including Lazarides Ltd, Andipa Gallery,
Bank Robber, Dreweatts etc),"
[45] claims that the exhibition at Vanina Holasek Gallery in
New York City (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.
[46]
2008
In March, a stencilled graffiti work appeared on
Thames Water tower in the middle of the
Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange.
London Borough of Hammersmith and Fulham
spokesman, Councillor Greg Smith branded the art as vandalism, and
ordered its immediate removal, which was carried out by H&F council
workmen within three days.
[47]
In late August 2008, marking the third anniversary of
Hurricane Katrina and the associated
levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.
[48] A stencil painting attributed to Banksy appeared at a vacant petrol station in the
Ensley neighbourhood of
Birmingham, Alabama on 29 August as
Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the
Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.
[49] His first official exhibition in New York City, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The
animatronic pets in the store window include a mother hen watching over her baby
Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.
[50]
The
Westminster City Council stated in October 2008 that the work "One Nation Under
CCTV,"
painted in April 2008 would be painted over as it was graffiti. The
council said it would remove any graffiti, regardless of the reputation
of its creator, and specifically stated that Banksy "has no more right
to paint graffiti than a child." Robert Davis, the chairman of the
council planning committee told
The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art."
[51]
The work was painted over in April 2009. In December 2008, The Little
Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia
was destroyed. The image had been protected by a sheet of clear
perspex, however silver paint was poured behind the protective sheet and
later tagged with the words "Banksy woz ere." The image was almost
completely obliterated.
[52]
The Cans Festival
Over the weekend 3–5 May in London, Banksy hosted an exhibition called
The Cans Festival. It was situated on
Leake Street, a road tunnel formerly used by Eurostar underneath
London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else's.
[53] Artists included
Blek le Rat, Broken Crow, C215,
Cartrain,
Dolk, Dotmasters, J.Glover,
Ben Eine, Eelus, Hero, Pure evil,
Jef Aérosol,
Mr Brainwash, Tom Civil Roadsworth and Sten & Lex.
Banksy invited thirty-nine artists from around the world, including
Sten Lex,
Bsas Stencil,
Prism,
Roadsworth,
Blek, C215,
Dotmasters,
Hero,
Sadhu,
Lucamaleonte,
Faile,
Logan Hicks,
Btoy,
Vhils,
Vexta and
John Grider exhibited their works in an abandoned tunnel near Leake Street in South East London.
[54]
The festival's name is a play on the famous French film extravaganza
The
Cannes Film Festival.
2009
In May 2009, Banksy parted company with agent
Steve Lazarides and announced that Pest Control,
[55]
the handling service who act on his behalf, would be the only point of
sale for new works. On 13 June 2009, the Banksy vs Bristol Museum show
opened at
Bristol City Museum and Art Gallery,
featuring more than 100 works of art, including animatronics and
installations; it is his largest exhibition yet, featuring 78 new works.
[56][57] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.
[58] Over the course of the twelve weeks, the exhibition was visited over 300,000 times.
[59]
In September 2009, a Banksy work parodying the Royal Family was
partially destroyed by Hackney Council after they served an enforcement
notice for graffiti removal to the former address of the property owner.
The mural had been commissioned for the 2003
Blur single "
Crazy Beat"
and the property owner, who had allowed it to be painted, was reported
to have been in tears when she saw it was being painted over.
[60] In December 2009, Banksy marked the end of the
2009 United Nations Climate Change Conference
by painting four murals on global warming. One included the phrase, "I
don't believe in global warming;" the words were submerged in water.
[61] A feud and graffiti war between Banksy and
King Robbo
broke out when Banksy allegedly painted over one of Robbo's tags. The
feud has led to many of Banksy's works being altered by graffiti
writers.
[62]
Exit Through the Gift Shop (2010)
The world premiere of the film
Exit Through the Gift Shop occurred at the
Sundance Film Festival in
Park City, Utah, on 24 January. He created 10 street artworks around Park City and Salt Lake City to tie in with the screening.
[63] In February,
The Whitehouse public house in
Liverpool, England, was sold for £114,000 at auction. The side of the building has an image of a giant rat by Banksy.
[64]
In March 2010, the work "Forgive us our Trespassing" was displayed in
the London underground. The work had to be displayed without the halo
over the boy's head. After a few days the halo was repainted and the
poster was removed by Tube advertising bosses. The display was organised
by
Art Below,
a London based public art agency. In April 2010, Melbourne City Council
in Australia reported that they had inadvertently ordered private
contractors to paint over the last remaining Banksy art in the city. The
image was of a
rat descending in a parachute
adorning the wall of an old council building behind the Forum
Theatre.[This report was false as the image was destroyed by plumbers in
May 2012 and received a decent amount of local press] In 2008, vandals
had poured paint over a stencil of an old-fashioned diver wearing a
trenchcoat. A council spokeswoman has said they would now rush through
retrospective permits to protect other "famous or significant artworks"
in the city.
[65] In April 2010, to coincide with the premiere of
Exit Through the Gift Shop in San Francisco, five of his works appeared in various parts of the city.
[66] Banksy reportedly paid a
San Francisco Chinatown building owner $50 for the use of their wall for one of his stencils.
[67] In early May 2010, seven new Banksy works of art appeared in Toronto, Ontario, Canada,
[68] though most have been subsequently painted over or removed. In May 2010, to coincide with the premiere of
Exit Through the Gift Shop in Royal Oak, Banksy visited the Detroit area and left his mark in several places in Detroit and Warren.
[69]
Shortly after, his work depicting a little boy holding a can of red
paint next to the words "I remember when all this was trees" was
excavated by the 555 Nonprofit Gallery and Studios. They claim that they
do not intend to sell the work but plan to preserve it and display it
at their Detroit gallery.
[70] There was also an attempted removal of one of the Warren works known as "Diamond Girl."
[71]
In late January 2011,
Exit Through the Gift Shop was nominated for a 2010 Oscar for Best Documentary Feature.
[72]
Banksy released a statement about the nomination, where he said, "This
is a big surprise… I don't agree with the concept of award ceremonies,
but I'm prepared to make an exception for the ones I'm nominated for.
The last time there was a naked man covered in gold paint in my house,
it was me."
[73]
Leading up to the Oscars, Banksy blanketed Los Angeles with street art.
Many people speculated if Banksy would show up at the Oscars in
disguise and make a surprise appearance if he won the Oscar.
Exit Through the Gift Shop did not win the award, which went to
Inside Job.
In early March 2011, Banksy responded to the Oscars with an artwork in
Weston, UK, of a little girl holding the Oscar and pouting. Many people
think that it is in reference to 15-month old Lara, who dropped and
damaged her father's (
The King's Speech co-producer Simon Egan) Oscar statue.
[74] Exit Through the Gift Shop was broadcast on British public television station
Channel 4 on 13 August 2011.
Banksy was also credited with the opening
couch gag for the 2010
The Simpsons episode "
MoneyBART,"
depicting people working in deplorable conditions and using endangered
or mythical animals to make both the episodes cel-by-cel and the
merchandise connected with the program.
[75]
His name appears several times throughout the episode's opening
sequence, spray-painted on assorted walls and signs. Fox sanitised parts
of the opening "for taste" and to make it less grim. In January 2011,
Banksy published the original storyboard on its website.
[76]
According to Banksy, the storyboard "led to delays, disputes over
broadcast standards and a threatened walk out by the animation
department." Executive director
Al Jean jokingly said, "This is what you get when you outsource."
[75]
The work 'Forgive us our Trespassing' by Banksy was displayed in March 2010 at London Bridge in conjunction with
Art Below an arts company that put on art shows on the
London Underground. The work was censored by the
Transport for London (TfL), forbidding display of the work with its halo, because of the prevalence of graffiti in the underground.
[77]
It was displayed without the halo over the boy's head, but after a few
days the halo was repainted by a tagger, so the TfL disposed of the
poster. This decline went through the press and several articles were
published remarking on the progress of the poster.
[77][78]
2011
In May 2011 Banksy released a lithographic print which showed a smoking
petrol bomb
contained in a 'Tesco Value' bottle. This followed a long running
campaign by locals against the opening of a Tesco Express supermarket in
Banksy's home city of Bristol. Violent clashes had taken place between
police and demonstrators in the Stokes Croft area. Banksy produced the
poster ostensibly to raise money for local groups in the Stokes Croft
area and to raise money for the legal defence of those arrested during
the riots. The posters were sold exclusively at the Bristol Anarchists
Bookfair in Stokes Croft for £5 each.
In December, he unveiled "Cardinal Sin" at the
Walker Art Gallery, Liverpool. The bust, which replaces a priest's face with a "pixelated" effect, was a statement on the
child abuse scandal in the Catholic Church.
[79]
2012
In May 2012 his
Parachuting Rat, painted in
Melbourne in the late 1990s, was accidentally destroyed by plumbers installing new pipes.
[80]
2013
On 18 February, BBC News reported that a recent Banksy mural, known as the
Slave Labour mural portraying a young child sewing
Union Flag bunting (created around the time of the
Diamond Jubilee of Elizabeth II) had been removed from the side of a
Poundland
store in Wood Green, north London, and soon appeared for sale in Fine
Art Auctions Miami's catalogue (a US auction site based in Florida).
News of this has reportedly caused "lots of anger" in the local
community and is considered by some to be a theft. Fine Art Auctions
Miami has rejected claims of theft, saying it had signed a contract with
a "well-known collector" and that "everything was above board"; despite
this, the local Councillor for Wood Green is campaigning for the work's
return.
[81]
On the scheduled day of the auction, Fine Art Auctions Miami announced that it had withdrawn the work of art from the sale.
[82]
On 11 May, BBC News reports that the same Banksy mural is up for
auction again in Covent Garden by the Sincura Group. The auction is
scheduled to take place in June. It is expected to fetch up to £450,000.
[83]
On 24 September, after over a year since his previous piece, a new
Banksy mural went up on his website along with the subtitle 'Better Out
Than In'.
Better Out Than In (2013)
On 1 October Banksy began a one-month "show on the streets of New York [City]", for which he opened a separate website
[84] and granted an interview to
The Village Voice via his publicist.
[85]
A pop-up boutique of about 25 spray-art canvases on Fifth Avenue near
Central Park Saturday on 12 October. Tourists were able to buy Banksy
art for just $60 each. In a note posted to his website, the artist
wrote: "Please note this was a one-off. The stall will not be there
again." The BBC estimated that the street-stall art pieces could be
worth as much as $31,000. The booth was manned by an unknown elderly
gent who went about four hours before making a sale, yawning and eating
lunch as people strolled by without a second glance at the work. Banksy
chronicled the surprise sale in a video posted to his website noting,
"Yesterday I set up a stall in the park selling 100% authentic original
signed Banksy canvases. For $60 each."
[86][87][88]
On 17 October, a real boy shining the shoes of a gigantic Ronald
McDonald appeared in front of McDonalds and the press reported that the
NYPD's vandal squad is on the hunt for the Banksy after racking up 16
installments across the city.
[89][90][91]
His most recent creation was a fiberglass sculpture of a boy shining
the oversized shoes of Ronald McDonald, which was unveiled in Queens but
will be moved outside a different McDonald's around the city every day.
This art is unique because of the Live Shoeshine by the boy sitting at
the feet of the Ronald McDonald Statue who is dressed in ragged cloths
and is barefoot.
[92][93][94][95]
Notable artworks
Regarding personal fame, Banksy has stated that "We don't need any more heroes; we just need someone to take out the
recycling."
[97]
However, in addition to his artwork, Banksy has claimed responsibility
for a number of high profile artworks, including the following:
- At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in 7-foot-high (2.1 m) letters.[98]
- At Bristol Zoo, he left the message "I want out. This place is too cold. Keeper smells. Boring, boring, boring." in the elephant enclosure.[99]
- In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, and American Museum of Natural History in Manhattan as well as the Brooklyn Museum in Brooklyn.[100]
- In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife while pushing a shopping trolley was hung in gallery 49 of the British Museum, London.[101]
- In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[24][102][103][104]
- In October 2005, Banksy designed 6 station ID's for Nickelodeon.[105]
- In April 2006, Banksy created a sculpture based on a crumpled red
phone box with a pickaxe in its side, apparently bleeding, and placed it
in a side street in Soho, London. It was later removed by Westminster Council."[106]
- In June 2006, Banksy created an image of a naked man hanging out of a
bedroom window on a wall visible from Park Street in central Bristol. The image sparked "a heated debate",[107] with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[108]
After an internet discussion in which 97% of the 500 people surveyed
supported the stencil, the city council decided it would be left on the
building.[107] The mural was later defaced with blue paint.[109]
- In August/September 2006, Banksy placed up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse.
Music tracks were given titles such as "Why Am I Famous?", "What Have I
Done?" and "What Am I For?". Several copies of the CD were purchased by
the public before stores were able to remove them, some going on to be
sold for as much as £750 on online auction websites such as eBay.
The cover art depicted Hilton digitally altered to appear topless.
Other pictures feature her with her chihuahua Tinkerbell's head
replacing her own, and one of her stepping out of a luxury car, edited
to include a group of homeless people, which included the caption "90%
of success is just showing up."[110][111][112]
- In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[113][114]
- He makes stickers (the Neighbourhood Watch subvert) and was responsible for the cover art of Blur's 2003 album Think Tank.
- In September 2007, Banksy covered a wall in Portobello Road with a French artist painting graffiti of Banksy's name.[115]
- In July 2012, in the run up to the London 2012
Olympic games he created several pieces based upon this event. One
included an image of an athlete throwing a missile instead of Javelin,
evidently taking a poke at the Surface to Air missile sites positioned
in the Stratford area to defend the games.[116][117]
Technique
Stencils
are traditionally hand drawn or printed onto sheets of acetate or card,
before being cut out by hand. Because of the secretive nature of
Banksy's work and identity, it is uncertain what techniques he uses to
generate the images in his stencils, though it is assumed he uses
computers for some images due to the photocopy nature of much of his
work.
He mentions in his book,
Wall and Piece, that as he was
starting to do graffiti, he was always too slow and was either caught or
could never finish the art in one sitting. So he devised a series of
intricate stencils to minimise time and overlapping of the colour.
There is dispute in the street art world over the legitimacy of stencils, with many artists criticising their use as "cheating."
[119]
Political and social themes
Banksy once characterised graffiti as a form of underclass "revenge", or
guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.
[27] Banksy sees a
social class component to this
struggle, remarking "If you don't own a train company then you go and paint on one instead."
[27]
Banksy's work has also shown a desire to mock centralised power, hoping
that his work will show the public that although power does exist and
works against you, that power is not terribly efficient and it can and
should be deceived.
[27]
Banksy's works have dealt with an array of political and social themes, including
anti-War,
anti-capitalism,
anti-fascism,
anti-imperialism,
anti-authoritarianism,
anarchism,
nihilism, and
existentialism. Additionally, the components of the
human condition that his works commonly critique are
greed,
poverty,
hypocrisy,
boredom,
despair,
absurdity, and
alienation.
[121]
Although Banksy's works usually rely on visual imagery and iconography
to put forth his message, he has made several politically related
comments in his various books. In summarising his list of "people who
should be shot," he listed "Fascist thugs, religious fundamentalists,
(and) people who write lists telling you who should be shot."
[122]
While facetiously describing his political nature, Banksy declared that
"Sometimes I feel so sick at the state of the world, I can't even
finish my second apple pie."
[123]
Identity
There have been numerous rumours and hypotheses as to Banksy's
identity. Names often suggested include Robert Banks and Robin
Gunningham.
[124][125]
In 2004, an alleged photograph of him in
Jamaica
at the Two-Culture Clash Project surfaced. In October 2007, a story on
the BBC website featured a photo allegedly taken by a passer-by in
Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that
Tower Hamlets Council in London has decided to treat all Banksy works as
vandalism and remove them.
[126] Through the pictures, Banksy's identity was speculated to be Robin Gunningham, a man born in
Bristol on 28 July 1973. Gunningham was educated at
Bristol Cathedral Choir School and Leicester Polytechnic, now
De Montfort University,
and according to a former friend, was "extremely talented at art."
Gunningham lived with artist Luke Egan. Around 2000, when Banksy moved
from Bristol to London, Gunningham is known to have moved from Bristol
to a London flat in
Hackney,
and a number of Banksy's most famous works appeared nearby. At that
time, Gunningham lived with Jamie Eastman, who worked for a record label
that used illustrations by Banksy.
[124][127][128]
In May 2009, the
Mail on Sunday once again speculated about
Gunningham being Banksy after a "self-portrait" of a rat holding a sign
with the face of the man on the 2004 photo shot on it was photographed
in East London.
[129] This "new Banksy rat" story was also picked up by
The Times[130] and the
Evening Standard.
In response to reports that Banksy was Robin Gunningham, Banksy's agent refused to either confirm or deny the reports.
[131]
Simon Hattenstone from
The Guardian is one of the very few people to have interviewed him face to face. Hattenstone describes him as "a cross of
Jimmy Nail and British rapper
Mike Skinner" and "a 28-year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring."
[132] In the same interview, Banksy claimed that his parents think he is a painter and decorator.
[132]
Banksy himself states on his website:
Critics
Peter Gibson, a spokesman for
Keep Britain Tidy, asserts that Banksy's work is simple vandalism,
[134]
and Diane Shakespeare, an official for the same organisation, was
quoted as saying: "We are concerned that Banksy's street art glorifies
what is essentially vandalism."
[34] In his column for
The Guardian, satirist
Charlie Brooker wrote of Banksy "…his work looks dazzlingly clever to idiots."
[135]
He has also been long criticised for copying the work of
Blek le Rat,
creator of the life-sized stencil technique in early 1980s Paris.
Blek's own response to such criticism has been varied. He has expressed
pleasure at being an inspiration to "an artist that good,"
[6] and in early 2011 was seen adding to a mural initiated by Banksy in San Francisco.
[136]
However, Blek expressed a different perspective later that same year, in the documentary
Graffiti Wars, stating:
Bibliography
Banksy has
self-published
several books that contain photographs of his work in various countries
as well as some of his canvas work and exhibitions, accompanied by his
own writings:
Random House published
Wall and Piece
in 2005. It contains a combination of images from his three previous
books, as well as some new material. The book was a best seller in the
arts category for several years after its release.
[138]
Books about his work, authored by others:
- Ulrich Blanché, Something to s(pr)ay: Der Street Artivist Banksy. Eine kunstwissenschaftliche Untersuchung (2010), ISBN 978-3-8288-2283-2
- Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007, 2008 and 2010), ISBN 978-0-9554712-4-7.
- Will Elsworth-Jones, Banksy, the Man behind the Wall (2012), ISBN 978-1-8451369-9-4.
- Paul Gough (ed), Banksy, the Bristol Legacy (2012), ISBN 978-1-906593-96-4.
- Steve Wright, Banksy's Bristol: Home Sweet Home, Tangent Books (2007), ISBN 978-1-906477-00-4
- Mirko Reisser, Gerrit Peters, Heiko Zahlmann, Urban Discipline 2002: Graffiti-Art, getting-up / Germany (2002) ISBN 3-00-009421-0